Constructed on a swampy landmass in Inglewood, Hollywood Park Racetrack was envisioned by entertainment moguls. Inglewood welcomed the executives, who had been excluded from other venues due to prejudice. The first turn on a racetrack immediately after the finish line, known as the clubhouse turn, is considered to be the best vantage point to see the finish of the race and is therefore where the privileged sit. Built with the values of a bygone era and the mythologies of the track, Hollywood Park was a place where the privileged and disenfranchised co-mingled; it epitomized the social complexity of a place of fantasy and dreams, winning and losing. Clubhouse Turn strives to produce a pictorial record of the inevitable amalgamation of imagined and actual realities, environment and circumstance. By grouping the images into framed constructions, the work functions like memory—consolidating, diffusing, and reorganizing what has now disappeared.