WR Two Trees
This poem is from a collection of poetry published in 2009.

Two Trees

1 One morning, Don Miguel got out of bed
 with one idea rooted in his head:
 to graft his orange to his lemon tree.
 It took him the whole day to work them free,
5 lay open their sides, and lash them tight.
 For twelve months, from the shame or from the fright
 they put forth nothing; but one day there appeared
 two lights in the dark leaves. Over the years
 the limbs would get themselves so tangled up
10 each bough looked like it gave a double crop,
 and not one kid in the village didn’t know
 the magic tree in Miguel’s patio.


 The man who bought the house had had no dream
 so who can say what dark malicious whim
15 led him to take his axe and split the bole*
 along its fused seam, then dig two holes.
 And no, they did not die from solitude;
 nor did their branches bear a sterile fruit;
 nor did their unhealed flanks weep every spring
20 for those four yards that lost them everything,
 as each strained on its shackled root to face
 the other’s empty, intricate embrace.
 They were trees, and trees don’t weep or ache or shout.
 And trees are all this poem is about.


“Two Trees” from RAIN by Don Paterson. Copyright © 2009 by Don Paterson. Reprinted by permission of Farrar, Straus and Giroux.
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The use of which of the following techniques hints that the speaker’s assertions in the final two lines of the poem (lines 23-24) should not be taken at face value? *
In lines 23-24 (“They . . . about”), the speaker’s tone is best described as     *
Which of the following best describes how the break between the two stanzas affects the poem’s narrative?       *
Which of the following best describes the function of lines 17-22 in the context of the poem as a whole? *
The figure of the “man who bought the house” (line 13) serves to highlight which of the following traits in Don Miguel?       *
According to the speaker, the actions of the “man who bought the house” in lines 13-16 are driven by    
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