Early Haitian historian, scientist, and poet Charles Hérard-Dumesle’s massive natural history Voyage dans le nord d’Hayti (1822) proposes that colonialism’s best trick was convincing imperialists and almost everyone else that there is only one nature the world over. His book, including its famous poetic account of the 1791 Bwa Kaiman Vodou ceremony, assays a natural history that joins together poetics, other-than-human forces, and the history of the dispossessed to forge a decolonial nature that serves Haitian sovereignty. Allewaert proposes that ultimately the project of Hérard-Dumesle’s Haitian natural history contested not simply the intellectual legacy of imperial natural history but the materiality of nature itself.