Session 1.10 - The World's Worst (Best) Protagonist
THE GOAL: Make sure you have the strongest possible version of your main character with WORLD'S WORST.
Time commitment: 20 minutes

Set yourself up for success by making your main character the perfect protagonist for your story. If you want to stay inspired throughout your writing process—and hook readers and keep them invested—your hero needs to be tied to your story (and the Moral of your Story) on a gut level. This session you'll use a supremely dumb (and fun) improv game to come up with strong choices, bad choices and the worst choices!
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Improv Game: World's Worst
From a single suggestion (of a profession or a situation) players step forward one at a time to be the world's worst person to do that job or be in that situation.

If the suggestion is "Crossing Guard" some responses might be:
1) "Hey, I only lose one kid a week!"
2) "I'm not in it for the safety. I'm in it to log steps on my Fitbit."
3) "Sometimes you guard the crosswalk, and sometimes the crosswalk guards you, man."
4) "What do you mean I'm supposed to be wearing something under the vest?"
5) "NONE SHALL PASS!"
Improv Drill: Give us four or five WORLD'S WORST bank security guards.
(Improv tip: Have you ever played this game before? Probably not. Are you supposed to be good at this? Probably not. Can you just opt out to avoid uncomfortable feelings? Hell no. Lower your expectations for yourself and get it done.)
Improv Drill: How about the WORLD'S WORST brain surgeon.
(Improv tip: Imagine the audience cheering for your brilliant answers and groaning good-naturedly at your bad ones.)
Writing Goal: Strengthen Your Main Character with World's Worst
Your best protagonist is also the WORST person to drop into your story (for them at least). A story's job is to show a character changing in response to their circumstances—the more change go through, the more compelling the story. Ask yourself what kind of hero is least equipped to deal with the challenges you're going to throw at them, or most likely to suffer in the world of your story? Who has the furthest to go and the most to learn?

But we're often sheepish about making strong choices because it's a lot of pressure. So let's use World's Worst to give you permission to make bad, silly and ridiculous choices in the pursuit of strong, exciting, bold choices. Get loose, get brave, and open yourself up to surprising yourself with unexpectedly great/terrible ideas.
Example 1: The Silence of the Lambs
Here are 5 World's Worst main characters based on the Story Idea: "An FBI agent consults with a notorious serial killer in prison to track down another currently active serial killer."

1) I'm just a trainee! Why am I talking to a serial killer?! Seriously, I'm a super-newbie FBI agent!
2) I'm a female FBI agent who feels like she has to act tough to make it in a male-dominated field.
3) I'm also secretly a serial killer! Too Dexter?
4) My father was killed by a serial killer and now I can't eat breakfast cereal.
5) Or maybe my father was a lawman who was killed on the job (when I was a child) in the same kind of senseless violent act that I'm now trying to prevent.

Obviously not all of these ideas made it into the final version of the novel by Thomas Harris  :)
Writing Exercise 1: Introduce us to the 5 WORLD'S WORST (best) versions of your hero based on your Story Idea. Have them step forward and declare themselves and why they are such a bad (perfect) fit for your story.
Good ideas, bad ideas, and wild ideas are all welcome and encouraged. Feel free to do more than 5 if you're on a roll.
Example 2: The Silence of the Lambs
Here are 5 more World's Worst protagonists inspired by the Moral of the Story: "If you want to make yourself whole, solve the mystery, and catch the bad guy, you have to open yourself up to the darkness in the world and the darkness inside of you."

1) I'm trying to cover up my white trash roots and my fears of inadequacy so I can prove myself in the FBI.
2) I have a single terrifying memory of screaming lambs that haunts me. Will they ever be silent?!?!
3) In this world of killers, I don't know if I actually have what it takes to pull the trigger and kill another human being when push comes to shove.
4) I hate therapists! And therapy! I nearly strangled my last therapist to death.
5) I have a secret split personality who I have been keeping suppressed to prevent her from popping out and seeking chaotic vigilante justice.


Writing Exercise 2: Introduce us to the 5 WORLD'S WORST (best) versions of your hero based on your Moral of the Story (from Session 1.9).
Who is the best character to learn this Moral or prove it over the course of the story? Who starts out believing the opposite of the Moral? Who has a backstory that makes the Moral hard to trust?
Example 3: The Silence of the Lambs
Here are 5 more World's Worst main characters that are just WAY TOO MUCH (cliche, don't fit the genre, silly, etc.):

1) I'm secretly the daughter of a mysterious serial killer who was never caught.
2) I'm part of a failed FBI program to genetically engineer the perfect serial killer hunter, and this is my last chance to prove myself and avoid the termination of the program (and the termination of ME).
3) I've always dated guys in law enforcement, and there's NO WAY I would ever consider getting into a relationship with a serial killer. NEVER. GONNA. HAPPEN.
4) I had a pet lamb as a kid, and when my Pa had to put her down I swore that I would never open my heart up to that kind of pain ever again.
5) I am secretly a split personality, and it turns out at the end that I am both Agent Clarice Starling AND Dr. Hannibal Lector.
Writing Exercise 3: Go big. Swing for the fences. Introduce us to the 5 WORLD'S WORST (best) versions of your hero that are WAY TOO MUCH.
You're just brainstorming! You don't have to use these, so try out some crazy stuff you don't think will work, that you would never actually want for your character, that don't fit neatly in the genre of story you're telling, that are cliche and that you would never actually stoop to using.
Writing Exercise 4: Write a couple sentences of reflection on what from this session you might actually be able to use to make your main character really click with your story.
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