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Endcrawl State of the Industry Survey - Summer 2020
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* Indicates required question
Email
*
Your email
Your Name
*
Your answer
What's your primary occupation in the film industry?
*
Producer
Post Production Supervisor
DI Producer
Editor
Assistant Editor
Online / Color / Finishing
Director
Business Owner
Sound Designer / Mixer
VFX Artist / Supervisor
Other:
Which of the following describes your current activity in FEATURE FILM production? (Please check all that apply.)
Currently have a film in pre-production
Currently have a film in production
Currently have a film in post production
Do not have any feature film projects at the moment
Which of the following describes your current activity in TELEVISION or EPISODIC production? (Please check all that apply.)
Currently have a show in pre-production
Currently have a show in production
Currently have a show in post production
Do not have any tv/episodic projects at the moment
Which of the following describes your current activity in NEW MEDIA production—neither film or TV? (Please check all that apply.)
Currently have new media projects in pre-production
Currently have new media projects in production
Currently have new media projects in post production
Do not have any new media projects at the moment
Have any of your projects moved location due to COVID concerns or lockdowns? (Check all that apply.)
No
Moved to Atlanta
Moved to UK
Moved to Canada
Moved to Scotland
Moved to Poland
Moved to Puerto Rico
Moved to Canary Islands
Moved to Toronto
Other:
Which remote technologies have you used in response to COVID? (Please check all that apply.)
Avid Edit On Demand
Clearview Flex
Evercast
Frame.io
iconik.io
MASV
Postlab
Sony Ci
Teradici
Other:
Which DI houses have given you the BEST experience handling remote workflows?
Your answer
Which VFX companies have given you the BEST experience handling remote workflows?
Your answer
Which Sound Facilities have given you the BEST experience handling remote workflows?
Your answer
Which Editorial Houses have given you the BEST experience handling remote workflows?
Your answer
For any projects you have in PRE-production, how would you describe their current state?
In pre-pro and on schedule.
Schedules have been pushed but new shooting dates are looking good.
In a holding pattern. Production schedules are uncertain.
Other:
For any projects you have in PRODUCTION, how would you describe their current state?
We're shooting and on schedule.
Schedules have been pushed but new picture wrap date is on track.
Production is happening but lots of uncertainty.
Other:
For any projects you have in POST production, how would you describe their current state?
In post and still on schedule.
Schedules have been pushed but new finishing date is on track.
In a holding pattern. Post schedules are uncertain.
Other:
Do you have any projects that have outright fallen through or been canceled due to COVID-19?
Yes, I've had one or more cancelled feature films.
Yes, I've had one or more cancelled episodic series.
Yes, I've had one or more cancelled new media projects.
Other:
If any of your schedules are uncertain, have been pushed, or were canceled, what have been the major contributing factors? (Check all that apply.)
Difficulty getting production insurance
Difficulty getting shooting permits
Uncertainty around cast and crew safety
Funding fell through
Other:
Are you currently shopping for new scripts that can be more safely produced during the COVID era?
Yes
No
Clear selection
Are you currently pivoting into different formats that can be more safely produced curing the COVID era?
Yes, pivoting to documentary
Yes, pivoting to animation
Yes, pivoting to games/interactive
No
Other:
If you're currently trying to raise funds for a production, could you describe the major hurdles?
Your answer
What did we miss? What else has changed during the COVID era?
Your answer
Send me a copy of my responses.
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