Subsurface tensions Open Call for the WRONG

DEADLINE EXTENDED!
ALL SUBMISSIONS ARE NOW DUE SEP 28, 2023 AT 11:59PM PST (GMT -8).

TIMELINE:
Sept 28, 2023 - call is closed
Sept 30, 2023 - decisions made/emails sent
Oct  2023 - Pavillion (online) preview
Nov 2023 - Pavillion (online) goes live

mid-Nov or Dec 2023 - Embassy opens with issue of initial publication

CONCEPT:

Beneath the surface of the Sonoran Desert in Arizona (USA) lies a vast network of burrows, tunnels, and rocky hideouts that establish a subterranean commons filled with nonhuman species. A flourishing microbiome, these (under)commons illuminate the complex entanglements desert ecologies have that can support life in what has otherwise been described as desolate, empty, or even vapid. As urban sprawl migrates outwards in a parasitic fashion, these unseen (under)commons continue to experience their own kind of metropolitan degradation, impacting not only the animals that flourish but the expansive microbiome that is further struggling due to the persistent climate crisis. 

Evoking adrienne marie brown’s idea of being in “right relationship” with the planet, a notion that enables how we feel and navigate pleasure as we experience life on Earth, this curatorial project seeks work that considers the underground as a productive site for shifts that impact the surface. Thinking expansively about the underground as a site of natural, political, and social life, this exhibition highlights recent and ongoing work by artists representing the global majority who are engaged in creative projects across media.

Some initial questions:

• In what ways do subterranean infrastructures, whether natural or industrial, impact what happens above ground? 

• How might we imagine the invisible, the hidden, the unseen as conceptual, material, or critical frameworks to understand this important moment in building new relationships to the land? 

• What does underground life, either real or imagined, look like? How do these networks/meshworks reveal themselves? 

• What stories about the political underground(s) have yet to be told/shared/written? 

• What metaphors exist between mycorrhizal relations and experimental aesthetics?

ELIGIBILITY:

Artists representing the global majority, regardless of location or age, are welcome to apply. Global majority artists are understood as people who are or are descendants of African, Latinx, Asian, Arab, or Native/First Nations people.

 
WHAT TO SUBMIT:
 
Artists may submit up to 3 works in total. 

This exhibition will be supported by two modalities: 
an online Pavillion; and 
an on-site Embassy in an office building (please see notes below).
 
Especially considered projects include: 
- text-based work (including code-based work, text works, txt works, short essay/creative nonfiction, etc);
- audio/visual media (video, audio, sound recordings, experimental film, etc); or
- expanded lens-based media (digital photography, 3D models, interactive worlds, games, etc). 
 
All other works across other media will also be considered.

OTHER NOTES:

10-15 artists will be selected for this exhibition. 

All artists will have dedicated space in the online Pavillion and potentially on-site depending on the nature of the work. I will reach out to selected artists directly to discuss the logistics of the Embassy exhibition. Physical works that will require shipping must be covered by the artists.

This project is hosted by TWOSIXTEEN, a curatorial project run by alejandro t. acierto. 

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Email *
PERSONAL INFO
Name *
please include the name as you would like for it to be printed/published including any stylizations (no capitalizations, ALL CAPS, etc).
website
where do you live? (optional)
How do you identify? Feel free to include (or not include) your gender, orientation, disability status, or other important information that you wish to share. While this field is not required, the gallery seeks to represent a wide array of lived experience and intentionally makes space for artists who have been historically marginalized.

Note:
TWOSIXTEEN is a project dedicated to producing experimental exhibitions for the global majority (otherwise understood as people who are or are descendants of African, Latinx, Asian, Arab, or Native/First Nations people. Artists who identify as white are not prioritized). 

What pronouns do you use? *
PROJECT PROPOSAL
Describe your practice or provide an artist statement about your work overall. This will be included alongside the selected work in the Pavillion. *
(2500 character max)
Describe the work you're submitting. This will be included alongside the selected work in the Pavillion. *
(2500 character max)
PROPOSED WORK

Please provide links to the proposed work. Include descriptions and a link to your projects.

Descriptions should include: title, year, media employed, and dimensions/length.

Please include passwords for hidden media in the description.
Work sample 1 (description) *
Work sample 1 (link) *
Work sample 2 (description)
Work sample 2 (link)
Work sample 3 (description)
Work sample 3 (link)
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