The article explores the thematic parallels between Kazuo Ishiguro's novels "An Artist of the Floating World" and "The Remains of the Day" and the role of the post-2014 Indian "Godi" (lapdog) media. It argues that both Ishiguro's protagonist-narrators, Masuji Ono and Mr. Stevens, and the Indian "Godi" media anchors demonstrate a lack of professional integrity and objectivity, instead propagating narrow nationalism, majoritarianism, and fake news, thereby undermining democratic values.
The author draws connections between Ono's complicity in Imperial Japan's propaganda machine and the Indian media's role as a mouthpiece for the ruling government, manufacturing consent and spreading misinformation. Similarly, Stevens' unwavering loyalty to his employer, Lord Darlington, is compared to the "Godi" media's subservience to those in power.
The article emphasizes the need to hold the media accountable and restore professional integrity to uphold democratic values. It concludes by urging readers to make the best of their remaining time and work towards this goal.led TitleAssertion (A): The article compares the roles of Ono and Stevens as professionals to the role of Indian "Godi" media anchors. Reason (R): All three groups are depicted as lacking professional integrity and objectivity, instead propagating narrow nationalism and majoritarianism.