2019年9月7日 (六) 晚上 八時
7 September 2019 (SAT) 8pm

香港城市大學邵逸夫創意媒體中心多媒體劇院 (M1060)
Multimedia Theatre (M1060), Run Run Shaw Creative Media Centre,
City University of Hong Kong

免費入場 / 因場地及安全考慮，需登記入場。
Free Admission / Prior registration is required due to venue and safety consideration.

繼八月的兩場實驗動畫放映，韓國首爾國際實驗電影錄像節(서울국제실험영화페스티벌 EXiS) 策展及節目總監李幸俊將為《原格破裂》的第一波帶來一場壓軸好戲，以16米釐放映機的延伸影像現場表演三組作者編譜的影像投影，包括 Richard Tuohy 和 Dianna Barrie 以一對放映機探索投影偏差的可創性的《網點矩陣》，Lis Rhodes 於《Light Music》以一系列黑白光塊編出影像樂譜，以及 Anthony McCall 的《Line Describing a Cone》，於煙霧之間透過一束光線塑造錐體。作品分別以點、線、面三種極簡元素帶出對影像媒介的種種提問，媒介於機械運用層面上的考量，聲音與影像的多向連繫，形成三組無可重塑的現場發生，回溯影像放映與觀賞者觀賞的互動關係，活化放映場所，也喚起觀者的主動性。

A finale to Elemental Dynamite’s first wave,  an expanded cinema program in September follows up on the two experimental animation screening events in August. Our guest curator Hangjun Lee (EXiS) will perform three  16mm live projections as they were originally scored.  Dot Matrix by Richard Tuohy and Dianna Barrie explores the de-synchronization of images projected from a paired projectors. In Light Music, Lis Rhodes choreographs a series of black and white planes into a moving image score. In Line Describing a Cone, Anthony McCall sculpts a cone in the mist with a beam of light. Each of these works apply minimal elements -- point, line and plane, respectively -- to elucidate their curious attention to the different facets of the moving image. They consider the medium of film for its mechanical and technical applications; and they unravel the multiple-level connections between sound and the moving image. As three irretrievable happenings, the staged live performances invoke the many interactive possibilities the film projection may generate for the spectators, turning viewing into a new experience in an enlivened sight-and-sound environment.