CFAMC 2024 Call for Scores Submission Form

The Christian Fellowship of Art Music Composer is announcing a Call for Scores and Papers to be performed and presented at the Annual Conference to be held October 10-12, 2024 at Houghton University in Houghton, NY.

Composers may submit up to two (2) total compositions (length not to exceed 12 minutes each) and/or two (2) total paper proposals in any category. Composers must be current members of the Christian fellowship of Art Music Composers. If you are not currently a member, you may join at www.CFAMC.org (for as little as $1.) Selected composers are required to attend the entirety of the conference. The registration fee for the entire conference is $100 ($50 for students.) Our conferences are a wonderful opportunity for encouragement, even for those whose work is not selected. We encourage any interested composers to attend.

Score and paper submissions are due May 20, 2024

Guidelines for score submissions:

1) A score in PDF and an MP3 (either a recording or a MIDI realization) must be included for each piece submitted.

2) There is a time limit of 12 minutes duration for each composition submitted. Shorter pieces may have a better chance of being chosen. Individual movements of larger works are acceptable.

3) Compositions will be selected based on several factors including, but not limited to, availability of performers (chamber) and performability by the large ensembles.

4) Selections will be made by August 15, 2024. Notifications will be sent via email. 

5) Selected composers must submit parts in PDF and register for the conference by September 1, 2024. All selected composers are required to attend the conference. If a selected composer does not register by September 1, 2024, the composer's work(s) will be dropped from the program.

6) Students who would like to participate in a masterclass with a guest composer, please indicate this interest in your submission. Questions can be directed to ian.evans.guthrie@gmail.com.

7) Composers may submit to one or more of the following categories (up to 2 total submissions.)

     a) Chamber Choir (12-14 singers, SATB, a capella, divisi acceptable, anywhere from 1-3 singers per part)

     b) Houghton Wind Ensemble (standard instrumentation)

     c) Houghton Choir (SATB, a capella with piano accompaniment; divisi acceptable)

             Any additional instrumentalists must be provided and paid for by the composer, unless chosen from the list below.

    d) Chamber Ensemble, up to 4 performers (available instrumentation listed below.)

    e) Composer-provided performers

Available Chamber Ensemble Instrumentation (including subsets of the following)

     Piano (solo or collaborative, so + any of the instruments listed)

     Tenor, Mezzo Soprano, Soprano, Guitar (any style), Flute (up to 2), Saxophone

Please contact David Clem at david.clem@houghton.edu to inquire about additional instruments/voices.

Guidelines for Paper Proposals:

1) Papers should, in some way, address the conference theme - Coming Home and Going Forward. While papers addressing our conference theme will be given priority, applicants are encouraged to submit abstracts for papers addressing any facet of the intersection of faith and musical arts, including any papers exploring music theory, musicology, and theology of music. 

2) Please provide a 400-600 word abstract outlining the scope and purpose of your topic, and its relevance to this conference.

3) Papers must fit into a 20-minute presentation spot (including pertinent audio/visual material), and 8-10 minutes for Q&A will be allowed immediately following each presentation.

4) Submissions will be reviewed by a committee of composers and academics. Selections will be made by August 1, 2024. 

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Email *
First Name *
Last Name *
Email address *
Phone Number *
Link to PDF of Bio (250 words, max) Please ensure sharing settings are set to "public or anyone with link can view" and all links remain open.
*
Title of First Composition
Duration
Instrumentation
Category Submitting To
Link to PDF of Score.  Please ensure sharing settings are set to "public or anyone with link can view" and all links remain open.
Link to PDF of program notes.  Please ensure sharing settings are set to "public or anyone with link can view" and all links remain open.
Link to recording or MIDI realization.  Please ensure sharing settings are set to "public or anyone with link can view" and all links remain open.
Are there any other details we need to know regarding this piece? (Performance instructions or stage needs, etc.) If so, please provide a link to a PDF with those details.  Please ensure sharing settings are set to "public or anyone with link can view" and all links remain open.
If submitting to the masterclass, where do you attend school? (Or from where did you just graduate?)
If submitting to the masterclass, who is/was your most recent composition teacher?
Title of Second Composition
Duration
Instrumentation
Category Submitting To
Link to PDF of score.  Please ensure sharing settings are set to "public or anyone with link can view" and all links remain open.
Link to PDF of program notes.  Please ensure sharing settings are set to "public or anyone with link can view" and all links remain open.
Link to recording or MIDI realization.  Please ensure sharing settings are set to "public or anyone with link can view" and all links remain open.
Are there any other details we need to know regarding this piece? (Performance instructions or stage needs, etc.) If so, please provide a link to a PDF with those details.  Please ensure sharing settings are set to "public or anyone with link can view" and all links remain open.
If a student, do you wish to submit this piece to the masterclass?
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Paper Proposal 1 Link to a PDF of a 400-600 word abstract outlining the scope and purpose of your topic, and its relevance to this conference. Please ensure all sharing settings are set to "public or anyone can view" and links remain open. 
Paper Proposal 2:  Link to a PDF of a 400-600 word abstract outlining the scope and purpose of your topic, and its relevance to this conference. Please ensure all sharing settings are set to "public or anyone can view" and links remain open. 
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